#data

The Truth About Datastan

We are in a state in which data reigns supreme. In “Datastan” (to use a term coined by the brilliant Arlene Goldbard) data is king and queen, though the kingdom is propped up by falsehoods.   This misinformation prevents the widespread development of generative, empathetic commerce, inhibits culture and strains community cohesion. 

So, what’s the antidote?  Many of us believe it’s the arts.

The inclusion of artistic perspectives in public and private sector discourse could help us to solve our most pressing issues, on both individual and societal levels, and create the future our children and grandchildren deserve.  But first, we need to drop the following delusions about Datastan:

Data is Objective / Reveals the Truth

Human intervention, even if passive, is required to make sense of data.  Therefore ambiguity is diffused throughout the processes of data quantification, because it is shaped by each interpreter’s experiences.  The “data as objectivity as truth” perspective is rife with flaws, but it illustrates that there is validity in subjectivity.  Acknowledgement of imperfection leads the way toward authenticity, and it is the inclusion of the artist’s intuitive perspective that wholly illuminates human truths.

Numbers Provide the Purest Evidence

Numbers are a form of evidence, but not the only form.  Evidence in its most potent form cannot be quantified.  It’s the provenance of memory, sensation, emotion.  It’s the provenance of the artist. The storyteller has just as much skill, if not more, than the scientist when it comes to deciphering human realities and laying them at our feet for inspection.

Data is Hard (and Therefore Reliable). The Arts are Soft (and Therefore Unreliable).

The idea that because something is "hard", that because it is scientific or technical it epitomizes truth is short-sighted and incorrect.  That which is hard may be strong, but it also acts as a barrier, may be brittle, and is inflexible, rigid and stiff.  That which is soft can also be very strong, and is permeable, adaptable, enjoyable and pliable.  There is truth in ambiguity.  Artists' work veraciously acknowledges the universal ambiguity of our individual human experiences. So you see, when important decisions are being made, there are considerable advantages to going soft. 

The reality is that everything humans touch is open to human interpretation.  It only makes sense that human information, or information that affects humans and the world we inhabit, should be viewed through human-focused lenses.  It is the artistic perspective that courageously retains clarity of vision, it’s the artist who hones intuitiveness, it’s the artist who is able to jump levels to see many truths at once, it’s the artist’s perspective that adds significance to fact.

 

 

Art, Technology and the Internet of Things. Part 2 of 4.

Last Wednesday, we began a four-part series on "Art, Technology and the Internet of Things".  This installment, Part Two, highlights ways in which inclusion of the arts (or the artistic point-of-view) within the Internet of Things can address technology's societal shortfalls.

Collaboration as a Means to Lengthen Shortened Attention Spans

In our era of iThings, the “i” may well stand for “immediate” or “instant”, instead of “Internet”.  We expect to attain everything we want, on demand, and patience is longer considered a virtue.  Society is suffering for our shrinking attention spans in ways that we may not yet fully understand.  These unrealistic expectations of perpetual immediacy may be tempered by arts-tech partnerships.  For example:

  • The idea of “failing better” can be influenced by the draft /edit process, and may encourage more significant gains in each iteration or “edit” than other methods allow. 
  • Technology can facilitate contemplation and comprehension within the artistic environment, through participatory installations or by encouraging repetitive motion and/or thought as a standalone.
  • Technology can encourage focus by providing access to instruction and digital tools that facilitate amateur arts practice.

Collaboration as Means to Make Sense of the Proliferation of Information

We are in a time of the rise of the know-it-all: we want answers instantaneously, without taking the time to contemplate the world around us. We are trained to search, not to explore.  A perspective informed by the arts and culture can provide a sieve through which the immense volume of digital information and data may be filtered, to deepen understanding.  It is the presence of the arts and culture perspective, alongside technology that will truly empower the relationship between human and machine.

  • The mutability of data lends itself to review by artists and culture bearers, who are trained to expose order among ambiguity. 
  • Data requires interpretation and artists are experts in interpreting the living and the ephemeral.  
  • Analysts are not informed with a critical eye in the way that artists are.  Artists read between the lines to find authenticity.
  •  Artists identify themes that are unarticulated by individuals or groups or unidentifiable by a model or algorithm.

View Part 1.

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