Pop Culture is Homogeneous and Quantification is to Blame

This is what happens when pop culture is quantified: a cycle of sameness that’s approaching critical mass.  The hackneyed beliefs that deftness with digits implies authority and that algorithms hold the answers are costing us dearly.  To be tethered to quantification is to be risk-averse.  It is to be inoculated against the essence of creativity.

Let’s look at the evidence.

Popular Film

Hollywood is insistent on churning out remake after remake, like a fast food chain that produces empty art instead of calories.  Its merchandising machine, designed to buffer the risk of disappointing box office receipts, distracts the public from the substance of the films it’s created to support.  The executives running Hollywood don’t have the patience to wait for box office receipts to grow, and no longer allow films the time to find their audiences. 

Popular Music

Turn on the radio and you’ll be struck by not only the monotony of the songs, but the sameness of the sound.  Not surprisingly, most of it is made by a handful of producers whose anonymous work is catchy and mundane in nearly identical ways.

Popular Photography

Editorial photography is dominated by the same names, doing the same things. They’re holding fast, instead of charting new territory, probably because publishers are risk-averse at a time that’s financially challenging for most magazines. 

Meanwhile the editorial ethos is being replicated blandly on social media.  Influencers across the globe use filters and flashes in attempts to duplicate the moods of Terry Richardson’s night life, Mario Testino’s sunscapes and Tim Walker’s sugary palette.  The artificial brightness of this Instagram fodder bleaches imperfections and erases depth to cultivate the all-important personal brand, incite covetousness and sell something.

Popular Nightlife

Two words: Brooklyn aesthetic.  Is there anything more uninspired than the globalization of “Brooklyn Cool”?

Popular Fashion

To quote Calvin Klein: "When I see motorcycle jackets for $2,000 that are distressed or ripped jeans from couture designers, I think to myself, 'Are they kidding me?' We've been doing this for 30 years. It's not new," he said. "I understand why it's young and cool, but there is a thing about respect for women and trying to make women look as beautiful as they possibly can, and also [creating] new things. There's a lot that's going on that's disappointing" (italics ours).

Popular Journalism and Prose

You shouldn’t judge a book by its cover, but you can’t judge a digital article by its title: the headline has devolved into a path to an advertisement.  Writers are forced to adhere to SEO at the expense of both message and craft, even though the increasing sophistication of search engines renders it largely unnecessary.  Meanwhile as magazines and newspapers struggle to gain readership, advertorial publications produced by consumer brands rise.  

What is this doing to the way we absorb information?  What is this doing to our ability to communicate and think in nuanced ways?  The advent of advertisement everywhere is suppressing quality creativity and impairing our abilities to connect – with ideas and with one another in significant ways.  The quantification of fundamentally qualitative products and services strips them of their true value and renders their creators impotent.

If everywhere becomes a point of sale, what do we become?

What can we do to change this? 

We can acknowledge the fallibility of data. The best expressions of human life are never formulaic and yet here we are, relying on algorithms. Because we are unpredictable beings, the only thing continued reliance on numbers will ensure is that change is inhibited.

The public and private sectors must begin to prioritize qualitative measurements as valid key performance indicators for arts/culture products and services.  This will nurture the development of diversity and enrich the quality of popular culture.

We’re all searching for meaning – for ourselves, for our families, for our communities and from the world.  Every experience we seek and every product we buy is driven by this quest.  Instead of stalking us with advertisements, it would be more effective for businesses to put as much into the shared creation of meaning as into the production of profit. 

 

Photo by violetkaipa/iStock / Getty Images

Weekly Links - April 15th, 2015

The articles that grabbed our attention this week are right up WÆRK’s ’s alley.  They articulate the benefits of both artful approaches to business and business acumen for artists.

Kevan Lee’s social media tutorial is a language arts lesson in disguise, and effortlessly elevates the primacy of literature in our technology-dominant times.

The Funworks advertising agency is successfully using improv to connect with clients and amplify brainstorming sessions.

Steven J. Tepper of the Herberger Institute for Design and the Arts at Arizona State University (and co-author of the terrific Engaging Art: The Next Great Transformation of America's Cultural Life) advises artists on how to prosper in the gig economy.

Photo by malija/iStock / Getty Images

Weekly Links - April 8th, 2016

YouMustCreateWAERK.jpg

As we move deeper into April, change is upon us.  The articles that caught our attention this week refer to fundamental shifts in perspective that are essential to securing a sustainable future. Our favourite pieces serve as reminders that algorithms alone are not the answer.

The Chronicle of Higher Education articulates that theatre studies explore and express human actions repressed by technology, and are valuable in the digital age.

The Australian posits that it isn’t STEM but STEAM that will help us to realize our true potential.  That incorporating art/design processes into technical innovation is the best way forward.

Down with clickbait!  Jesse Weaver set Medium alight this week, with a rallying cry for the production of quality content and the empowerment of creative professionals.

We’re grateful for BBC Culture’s introduction to “digital detox zone” Libreria, a retailer that seeks to restore the sense of wonder, conviviality and conversation that are the provenance of the bookstore.

 

Weekly Links - April 1st, 2016

This humanities-driven approach to innovation can create ‘game-changing’ solutions to the major challenges of our societies. They can help transform the ways in which we conceptualise, manage, study and act in the world.
— Kirsten Drotner + Mariachiara Esposito in EuroScientist

This week we discovered several STEAM-y stories.  Our favorites are shared below:

An Italian case study provides recession-proof advice for arts and cultural organizations.

Billed as an intersection of art and technology, this week’s inaugural “Light City Baltimore” festival is transforming the way people look at the city.

Science Europe’s Scientific Committee opines on the importance of the human factor in radical innovation and establishes the arts and culture as “game changing” catalysts.

 

Weekly Links - March 25th, 2016

The articles that caught our attention this week have us wondering...

 

Will Virtual Reality Technology Transform the Arts and Culture?

Can the Arts Temper Our Obsession with Television?

Isn’t It Time We Acknowledge Artists and Designers As the Original Entrepreneurs?

 

Let us know your thoughts in the comments.

 

Photo by scyther5/iStock / Getty Images

On Healing

In times like this, in times of uncertainty when we desperately want answers but there are none, we turn to art.  When we are most aware of our humanity, these sources of expression, exploration and empathy help us to heal ourselves and one another.  It is art that helps us to convey our feelings of solidarity, compassion, hopelessness, hopefulness, fear, love, grief and relief.

Perhaps today, in a search for meaning, you read Cleo Wade’s poetry on Instagram or consulted Tracy K. Smith’s Life on Mars in paperback.   Maybe you regarded a 19th Century depiction of war on a museum wall or posted an illustration to your Facebook wall. Did you instead listen to Kendrick Lamar on your iPhone or absently hum Burt Bacharach at your desk?  This evening, will you dance with your children in an attempt to help them wiggle their worries away or will you linger in the subway station, watching street dancers defiantly do their thing? 

During last century’s Cold War, artistic innovation and excellence were cultivated as battle tactics.  Although each side officially aimed to destroy the other, we wonder if the prioritization of culture played a role in humanizing the enemy and ultimately tempering the animosity that could have resulted in a third world war.  We wonder if art, empowered by technology, can play a similar role now as we do (borderless) battle daily.

Weekly Links

No Chief Innovative Officers. No distinctions between scientific, artistic and interpersonal leaders. Everyone is responsible for innovating, creating and leading.
— George Bradt in Forbes

This week, as the calendar marches into spring (pun intended), these articles helped our imaginations to blossom:

Exploring another side of STEAM: the mathematics of great art

A Silicon Valley mythbuster on the perils of equating growth with value

What happens when merchandising meets a labor of love?  This Toronto bookstore

Forbes on the necessity of democratizing creativity in corporations, for the sake of innovation

Weekly Links

This week, we were inspired by a fusionist's creativity challenge, a poetic political statement, a future-forward opera company and life advice from music industry legends.

A co-founder of visionary arts-business consultancy Another Limited Rebellion writes about art as a catalyst for meaningful daily change – in individual lives and the wider world.

The NYT writes about LoftOpera’s ability to draw new audiences to opera by defying the rules of “high culture”.

The iconic Arlene Goldbarg highlights the U.S. Department of Arts and Culture’s (USDAC) Poetic Address to the Nation, an integral part of its collaborative People’s State of the Union.

You’ve probably already come across Wayne Shorter and Herbie Hancock’s open letter to the next generation of artists, but we think it’s something that should be read and read again.

Photo by Paul Bradbury/OJO Images / Getty Images

Weekly Links

This change puts people at the center of the equation, where they belong. It acknowledges that companies don’t have a purpose; they aren’t innovative; they don’t even exist — people do.
— Tiago Forte

This week, our interest was piqued by a watercolorist, a call-to-action for workforce change and a poet's meditations on remembrance:

This NEA interview with painter Debra Cartwright illustrates the arts' influence on social evolution, and the reality that a day job doesn’t negate one’s identity as an artist

We are enthusiastic about Forte Labs’ People-Centric Equation for Modern Work

This poem by Joy Harjo inspires our exploration of familiar territories

 

 

Weekly Links

This week, the links we love are focused on:

Partnerships between the arts/culture and business in Birmingham, UK

Strengthening individual creativity through cross-training

An investigation into what it would take to build an economy that works for everyone, from an arts perspective (note: we found the comments just as illuminating as the article itself)